Wednesday, December 17, 2014

The Art of the Finish: How to Go From Busy to Accomplished


http://www.scotthyoung.com/blog/2007/10/18/the-art-of-the-finish-how-to-go-from-busy-to-accomplished/

Productivity is Overrated 

   That is, the two don’t need to go together. Indeed, as an author, I’ve spent the past five years researching and interviewing unusually accomplished young people, and I would estimate that the majority of them are terribly disorganized. The minority that did have good productivity habits were certainly less stressed. But it played little role in predicting their ultimate success.

What Accomplished People Do Differently   
From my experience, the most common trait you will consistently observe in accomplished people is an obsession with completion. Once a project falls into their horizon, they crave, almost compulsively, to finish it. If they’re organized, this might happen in scheduled chunks. If they’re not — like many — this might happen in all-nighters. But they get it done. Fast and consistently.
It’s this constant stream of finishing that begins, over time, to unlock more and more interesting opportunities and eventually leads to their big scores.
If you are productive without harboring this intense desire for completion, you will end up just being busy. We all know the feeling. You work all day off of your to-do list. Everything is organized. Everything is scheduled. Yet, still, months pass with no important projects getting accomplished.
In this post, I want to present a simple system, based on my observation of the highly accomplished, that will help you cultivate your own completion obsession.
Introducing Completion-Centric Planning

With traditional GTD-style methodology, during each day, you look at your current context and at your next action lists and choose what to do next. It’s easy, in this case, to fall into a infinite task loop where you are consistently accomplishing little actions from your next action lists but making little progress toward completing the big projects. This is what I call the Zeno’sParadox of Productivity. Give me any project, and I can fill days with easy, fun little tasks on the project without ever finishing it.
Here’s the reality: Real accomplishments require really hard pushes. GTD style, “one independent task at a time” productivity systems make it easy to avoid these pushes by instead doing a lot of little easy things.
Completion-centric planning rectifies this problem. It refocuses you oncompletion of projects — not tasks — as the central organizing principle for each day. It works as follows:
Setup: Construct a Project Page
Using a single-paged document in your favorite word processor, do the following:
  1. Make an Active Projects ListList 6 – 12 of the most important projects in your life. Pull from all three relevant spheres: professional (e.g., school or work related);personal (e.g., home, family, fitness); and extra (e.g., big projects like blogging, writing a book, starting a club).
  2. Label Each Project With A Completion Criteria
    To quote David Allen, to finish a project you must “know what done looks like.” Next to each project type a concise description of what action must be completed for the project to be completed. (When you do this, you’ll notice how easy it was for you before to think about projects in a much more ambiguous, impossible to complete style).
  3. Label the Bottom Half of the Page as a “Holding Pen”
    This is where you can jot down new projects that enter your life while you’re working on the active projects. They can be stored here until you complete the current batch.
Example: My Current Project Page
Below is my current project page, just started, on October 12th. Excuse the wrinkles, I keep it in my pocket all day:
Sample Project Page
Using the System: The Daily Check-In
Each morning, look at your project page and ask: “What’s the most progress I can make toward completing this list today?” Your biggest goal should be to complete projects. If you see a way to do it (even if it requires a big push, perhaps working late) go for it. If you can’t finish one, think of the single thing you could do that would get you closest to this goal over the next few days. Harbor an obsession for killing this list!
At the same time, of course, you should still reference your existing productivity system. Outside of your projects you probably have other, more mundane tasks that need to get done. Your goal here is to make as much progress on your projects as possible despite the other responsibilities you have each day.
Finishing: Rest and Reload
Don’t start new projects until you’ve finished the projects on your current project page. If you dynamically repopulate this list your are liable to let the least fun projects lie fallow indefinitely. If you come up with new project ideas before you complete the current active projects, simply jot them down in your holding pen.
Work as hard as possible to finish your projects as fast as possible. Once done, take a break. For at least a week. Try to do a minimum of work during this time. Recharge. Then, once you’re ready, build a new project page and start over again.
Why This Works
The work flow rhythm required by completion-centric planning is as close as I can get to describing how really accomplished people tend to tackle their work. This approach doesn’t have the same effortless, autopilot appeal of a pure, GTD style work flow. But, unfortunately, accomplishment is not pretty. If you want to make your mark, you have to learn how to charge after things with a furious zeal. This system will help you develop that trait. The rest will follow.

Monday, December 15, 2014

Ohad Naharin



this weekend another name was added to the very short list of artist that inspire me…

 i experienced one of the best pieces of choreography that i have ever laid eyes on….
"MINUS 16" (never miss the opportunity to experience it)
it was excellence upon excellence . his brilliance, and superb attention placed upon the bodies of the Ailey Dancers.

excellence oozed from the most outer edge of each detail…total refinement…masked in unexpected organic flow...

not one aspect of this performance was left untouched by the mark of this man's "fatigue of excellence…"
thank you OHAD NAHARIN...


Tuesday, November 11, 2014

make it happen playlist for the week...

let's go.




my favorite thing made today...


torn and twisted paper
tree branch
and marker…


@ The Possibility Project


Khunum productions is writing with the cast of …


"Take it from the Top…"
The possibility project's newest original musical, Take it from the Top will premiere soon! The production is based on the lives and experiences of the 16 (amazingly talented, passionate, inspiring and strong!!) youth in  the Foster Care program. Performances are being held at The Irondale Center in Brooklyn, November 19, 20, 21, & 22, 2014.


Show Description: In New York City it is easy to feel invisible. For Sebastian and his sister Lola this is especially true. As they each pursue different paths to leave their mark on the world, they are confronted with violence, loss, betrayal, and the ever deepening question of their own self-worth. Can they find a way to truly be seen or will they end up alone and forgotten?
Tickets can be purchased online here: 



@ The Flea Theatre


Khunum Productions is designing for Flea Theatre's  

THE BLIND
Twelve sightless people face abandonment, isolation, and the terror of the unknowable human condition.

Written by Maurice Maeterlinck and Translated by Richard HoveyDirected by Austin Regan with Costume Design by Becky Willett and Mask and Puppet Design by Nehprii Amenii

November 18-December 3
http://www.theflea.org/show_detail.php?page_type=0&page_id=1&show_id=154)

making in progress...



Tuesday, November 4, 2014

Iko iko





My flag boy and your flag boy were
Sit-tin' by the fire. - My flag boy told
Your flag boy "I'm gonna set your flag on fire."
Talk-in' 'bout, Hey now ! Hey now ! I-KO, I-KO, un-day
Jack-a-mo fee-no ai na-n?. - Jock-a-mo fee na-n?
See that guy all dressed in green ?
I-KO, I-KO, un-day. He's not a man
He's a lov-in' machine
Jack-a mo fee na-n?
Talk-in' 'bout, Hey now ! Hey now ! 




Read more: The Dixie Cups - Iko Iko Lyrics | MetroLyrics 

Monday, November 3, 2014

SMART.



Ha..What do we call this???

A Multi media  civil engineering performance installation???
Creativity well implemented.
Smart.


Wednesday, October 29, 2014

Julie Taymor: Spider-Man, The Lion King and life on the creative edge







I start with the notion of the ideograph. An ideograph is like a brush painting, a Japanese brush painting.Three strokes, you get the whole bamboo forest. I go to the concept of "The Lion King" and I say, "What is the essence of it? What is the abstraction? If I were to reduce this entire story into one image, what would it be?"




Monday, October 20, 2014

work


"There are so many people that use 'following your dreams' as an excuse to not work…. When in reality, following your dreams, successfully, is nothing but work."      

                                                     ~Brandon Stanton

(yep.)

Wednesday, September 17, 2014

Women Playwrights International and University of Cape town, welcomes Food for the Gods






The next Women Playwrights International Conference  will be held in Cape Town South Africa, hosted by the University of Cape Town.  The theme this year is "Without Words"  and Food for the Gods was selected and invited as one of the plays to be presented.  

Inspired by the killings of Black men  at the hands of police and other institutions of authority, this work utilizes mixed-media and mask-puppetry to explore the process of dehumanization, positive and negative space, invisibility and well…the MAGICAL-less-ness of it all. A three-part expression of rage, indifference, and celestial knowings.  Food for the Gods is an experiential triptych of sort,  an audience immersive performance installation that takes place in three unique settings.  It juxtaposes harsh reality with piercing beauty.

"Yes, there are subjects that are beyond words. While studying this issue of dehumanization in America, without knowing it, I found myself “beyond words.”  There was only raw emotion.  Within Food for the Gods, I attempted to captured that emotion through images, movement, transformative space, and sound. The characters do speak, however, this is not a play of dialog. Rather, it is a sensory experience of visceral expression documented in words. WPIC international will be held June 29th to July 2nd 2015.



Monday, August 18, 2014

meditations



behold the mighty and precious  seed…
                                                for within it the ALL is contained…



of aloe plants and octopus arms…
of healing and sensitivity
that with prickles and that with tri-hearts..
of tumors and seeds:
i am deeply concerned for the watermelon--unable to  grow and produce the things 
that it should...
i am deeply concerned for the human being-- growing and producing that which it should not!



make me please like the mango, the avocado, the cherry and nectarine,
each refusing to give up the core of their being…
make me 
please to hold fast to the seed that is me…                 


Sunday, June 1, 2014

inverse

         

 ...it's what made me come...
           ....maybe it will also be what makes me leave...

http://thefabweb.com/wp-content/uploads/2012/01/CLIFF_DIVE_Wallpaper_bg7.jpg
              


Thursday, May 29, 2014

mgm. process inspiration.


There have been many a blogs and updates that haven't made it form my mind or from the drafts  list ...khunum Productions has actually been quite busy... with updates to come...
but somehow this image leaps to the front of the line:   A picture showing the recording of the MGM lion taken in 1929. and cue the mental roar. So this is my inspiration for the night:
an image of a process. details to a legacy born. a reminder to me that each invisible detail requires 10 more details. And thats just that. So keep walkin it out...

what do i see?
I see phone calls and scheduling.
I see the lion tamer not in the picture.
I see the lion cage very near by.
I see the extenders to extension cords.
I see the meeting where the idea was first expressed.
I see the reactions of those who thought it was crazy
I see heads tilted in gasp saying " You MEAN A REAL LION??"
I see the young boy at the zoo who grew to be the ceo
I see shampoo and scissors for the day's special grooming
I see a vehicle being loaded.
I see gas tanks being filled.
I see the cue being taught.
I see an audience in attentive silence.
I see the stage hands that measured the heights and distance of it all..
I see the instructions given to tech crew regarding cetain movements..
I see dinner table conversation for the night..
I see the beginning of a legacy manifest...


Doodles, meditations, beginnings











Saturday, April 26, 2014

noticings



that the morning sun drapes black iron fences with orange ribbons. that complaints could be much more powerful with an agenda and action plan. that rain drops on bare branches of April nights look like the Christmas lights on 59th.  that i wasn't attracted... not one bit. that my life has a flow of its own. accept it.  that cherry blossoms in the wind look like spring time snow... and  i imagine them as the drifting scales of  dragons making love.  crystal shimmer and pearl shine.   ....that i've started to miss him more than less. that subway art is on the F, G,  N , Q, R, 4, 5 ,6, 1, 2 and 3, but not the A.  That only after finally deciding to turn down the street with the sign that read "no outlet" did i find the creek with a bridge that led me back to where i was supposed to be.  that one inch of nag champa aglow is equivalent to 15 minutes of breath... that the dedication of the new title will read "for ayn."  gosh...that prisma brush tip markers make me see how much i do love control!  that the mentors of 26 federal plaza are  mostly white-haired men, who don't get that I leap, not crawl.  that those who proclaim with honor, "i'm hurt!" often tend to be the authors of their offense. And the oscar goes to! "no more years a slave!" (how bout that?) Calligrapher's pen on a cosmic proclamation.  That  9 year olds plan the very very best parties, and offer PhD level guidance for story telling.  that katt williams never fails me. And that at dusk,  the spire atop the new world trade is the same color as the magnolia blossoms...




As Noticed on 43rd Street:  Photo Credit: Nehprii Amenii
                                                        



Friday, March 28, 2014

New Exhibit on Display at the Smithsonian :-)








US Patent 5255452 A: "Method and means for creating anti-gravity illusion"
In the "Smooth Criminal' video, the centerpiece of the wonderfully bizarre film Moonwalker (1988), the impossible lean was accomplished with wires, but to recreate the effect during live performances, Jackson worked with two designers to develop a "method and means for creating [an] anti-gravity illusion." This signature move (among many others) was made possible by a patent for a shoe allowing the “wearer to lean forwardly beyond his center of gravity.” Though it looks like a regular loafer when worn with long pants, the shoe is actually strapped around the ankle to secure it to the dancer's foot - but the real secret is in the heel, which conceals a slot that can lock into a small post raised on stage. Dancers click their heels into place at just the right time and–-boom–-you've been hit by a smooth criminal. It's a brief moment, but it's one of the most iconic images of Michael Jackson's career and American pop culture.



Read more: http://www.smithsonianmag.com/arts-culture/michael-jackson-singer-songwriter-american-inventor-180950165/#0OE3LlfRgobubM29.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter
Singer, Song Writer, Choreographer, Actor, Director, Activist ....and American Inventor   

("Jack of all trades...master of none"  hmph....who started such words to deter greatness? Ode to to the multi-talented and ode  to multi- excellence!) 



US Patent 5255452 A: "Method and means for creating anti-gravity illusion" 

 


In the "Smooth Criminal' video, the centerpiece of the wonderfully bizarre film Moonwalker (1988), the impossible lean was accomplished with wires, but to recreate the effect during live performances, Jackson worked with two designers to develop a "method and means for creating [an] anti-gravity illusion." This signature move (among many others) was made possible by a patent for a shoe allowing the “wearer to lean forwardly beyond his center of gravity.” Though it looks like a regular loafer when worn with long pants, the shoe is actually strapped around the ankle to secure it to the dancer's foot - but the real secret is in the heel, which conceals a slot that can lock into a small post raised on stage. Dancers click their heels into place at just the right time and–-boom–-you've been hit by a smooth criminal. It's a brief moment, but it's one of the most iconic images of Michael Jackson's career and American pop culture.








US Patent 5255452 A: "Method and means for creating anti-gravity illusion"
In the "Smooth Criminal' video, the centerpiece of the wonderfully bizarre film Moonwalker (1988), the impossible lean was accomplished with wires, but to recreate the effect during live performances, Jackson worked with two designers to develop a "method and means for creating [an] anti-gravity illusion." This signature move (among many others) was made possible by a patent for a shoe allowing the “wearer to lean forwardly beyond his center of gravity.” Though it looks like a regular loafer when worn with long pants, the shoe is actually strapped around the ankle to secure it to the dancer's foot - but the real secret is in the heel, which conceals a slot that can lock into a small post raised on stage. Dancers click their heels into place at just the right time and–-boom–-you've been hit by a smooth criminal. It's a brief moment, but it's one of the most iconic images of Michael Jackson's career and American pop culture.



Read more: http://www.smithsonianmag.com/arts-culture/michael-jackson-singer-songwriter-american-inventor-180950165/#0OE3LlfRgobubM29.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter

US Patent 5255452 A: "Method and means for creating anti-gravity illusion"
In the "Smooth Criminal' video, the centerpiece of the wonderfully bizarre film Moonwalker (1988), the impossible lean was accomplished with wires, but to recreate the effect during live performances, Jackson worked with two designers to develop a "method and means for creating [an] anti-gravity illusion." This signature move (among many others) was made possible by a patent for a shoe allowing the “wearer to lean forwardly beyond his center of gravity.” Though it looks like a regular loafer when worn with long pants, the shoe is actually strapped around the ankle to secure it to the dancer's foot - but the real secret is in the heel, which conceals a slot that can lock into a small post raised on stage. Dancers click their heels into place at just the right time and–-boom–-you've been hit by a smooth criminal. It's a brief moment, but it's one of the most iconic images of Michael Jackson's career and American pop culture.


Read more: http://www.smithsonianmag.com/arts-culture/michael-jackson-singer-songwriter-american-inventor-180950165/#0OE3LlfRgobubM29.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter
US Patent 5255452 A: "Method and means for creating anti-grav


Read more: http://www.smithsonianmag.com/arts-culture/michael-jackson-singer-songwriter-american-inventor-180950165/#0OE3LlfRgobubM29.99
Give the gift of Smithsonian magazine for only $12! http://bit.ly/1cGUiGv
Follow us: @SmithsonianMag on Twitter




Michael Jackson's patent, and more importantly, his signature is on display as part of a new exhibition at the National Archives in Washington, D.C. "Making Their Mark: Stories Through Signatures," invites visitors to examine the signatures on historic documents and imagine the moment they were signed, moments that have shaped America's history and defined its culture. No one has a signature that is exactly the same every time its written, but a signature's variability is part of what reveals it to be authentic; each signature is a unique product of the time and place it was written. Other notable signatories on display as part of the exhibition include founding fathers such as George Washington, Thomas Jefferson and James Madison, whose documents tell the story of a young nation in rebellion against King George III. But they are in good company with the King of Pop, whose signed patent reveals that his inventiveness extended beyond creating sweet dance moves. 


 http://www.smithsonianmag.com/arts-culture/michael-jackson-singer-songwriter-american-inventor-180950165/?utm_source=facebook.com&no-ist