Friday, September 4, 2015

Adam Szymkowicz: I Interview Playwrights Part 765: Nehprii Amenii


I Interview Playwrights Part 765: Nehprii Amenii

Hometown: Augusta Georiga
Current Town: Brooklyn Ny...


















Tell me about the Women Playwrights International Conference
The Women Playwrights International Conference is an event that happens every 3 years. Each year it’s hosted in a different country, from Switzerland, Mumbai, and Philippines. This year it was held at the University of Capetown in  South Africa. Women playwrights from around the world submit scripts in hopes of begin able to share their work with an international audience. A local director  and cast are assigned to work with each script. In addition to the staged readings, there are daily keynote speakers, panel discussions, writing workshops, and evening performances.  This years conference, was scheduled to coincide with the  Grahmstown Arts Festival, which is the largest theatre festival on the African continent, so participants were really inundated with inspiration. It was an honor to share the stage with playwrights from around the world such as Talia Pura of Canada, Fatima Uygun of Scottland,  The Gurilla Girls,   Herlina Syarifuding of Indonesia,  Mumbii Kaigway of Kenya, and more…


...Tell me, if you will, a story from your childhood that explains who you are as a writer or as a person. 


Great question. Ummm… Mud pies.  I remember, I was the best at them.  My friends would make a mud pie what would last for just moments before crumbling. But mine would last for days… weeks even, and stay perfectly round and smooth. I was in Georgia, where the dirt is red. And I remember at 4 years old, trying to explain to my friends “you have to dig really deep until you get to the sticky dirt!” Well, later I realized, I had discovered clay.  (Interesting that also became my first fine arts medium.)  And, I guess, that experience is not different with my writing or who I am. I try to dig really deep down into myself… where things get pretty sticky…and honest. And from that place, I  try to pull up the dirt and turn it into something smooth, refined—beautiful..…and something that can have long lasting impact…. Hahah,  there it is. It’s  all just Mud pies!

Full Interview here
http://aszym.blogspot.com/2015/07/i-interview-playwrights-part-765.html

Saturday, June 20, 2015

Goal met. THANK YOU!!!


a silent nod. eyes closed. a wide smile.
hands pressed to heart.
Ladies and Gentleman:
This goal has been met.
((((((((((((((((THANK YOU ( TO THE ) ALL.))))))))))))))))))))



Friday, June 12, 2015

                                                            
                                                             photo by nehprii

Thursday, May 28, 2015

Oprah's advice


"Responsibility: You are responsible for your art. You are responsible for this moment."



Saturday, May 23, 2015

Taking Food for the Gods to South Africa...


Thank you to everyone so far who has supported Getting Food for the Gods to the Women Playwrights International Conference in South Africa.  The fundraising campaign is still open.  Please click to contribute www.gofundme.com/nehpriisouthafrica and thank you for sharing this along!



Food for the Gods is a play about Human Value inspired by the Killings of Black Men in America….written to incite CARE.  
Thank you for supporting this this work. ~nehprii 


Khunum Productions is Designing for The Ice Cream Man



Khunum Productions is Sound Designing for

The Ice Cream Man, written by Will Johnson, Directed by Sarah Stites

Playing at the Unchained Theatre Festival









"for spacious skies,
For amber waves of grain,
For purple mountains majesty,
Above the fruited plain,
But now wait a minute, I'm talking about
America, sweet America…"


Friday, May 22, 2015

Thoughts on the edge.


it's the connection point between object and air.

i've been paying  attention to it for a while--this thing about beauty… what makes an object  beautiful? it's the attention and detail given to the edge. to the  line. on paper--it's the line on a plane---in an open field of space. With an object---it's the way the line touches the invisible. Does it touch it with sensual, graceful, melodic curves…or with  angular thrashes abbreviated and clipped in staccato. i can hear color and i can hear shapes. i hear images… much better than i've ever been able to  hear the beats of music. within images i can hear  and feel numbers like a pianist with notes. truth theorems….

and why is BEAUTY the thing so desired? one of the best compliments to be given and received. What is really being yearned for here? what confirmation is being extended? What is the real honor that has been forgotten?

i'm thinking on this as i write….and coming to realize that it has to do with homage---something much more ethereal and sacred than a case of vanity. it's a touching of the 2 worlds. a presentation of one to the other…. where the physical extends itself to the invisible.  for an artist---the presenter---the hostess---when an image and object is made to exist in this world… it's about being sensitive to how to greet the greatness of the unseen---of the all that surrounds. with shoes? with a bow? a hand shake? with palms together in grace. with the formality of respect. with the softness of a line. with the refinement of the detail. with the sensuality of the edge. With the path and imitation of pi.
                                                                              ~nehprii




Studying and Appreciating the work of Roger Titley