I start with the notion of the ideograph. An ideograph is like a brush painting, a Japanese brush painting.Three strokes, you get the whole bamboo forest. I go to the concept of "The Lion King" and I say, "What is the essence of it? What is the abstraction? If I were to reduce this entire story into one image, what would it be?"
Wednesday, October 29, 2014
Julie Taymor: Spider-Man, The Lion King and life on the creative edge
I start with the notion of the ideograph. An ideograph is like a brush painting, a Japanese brush painting.Three strokes, you get the whole bamboo forest. I go to the concept of "The Lion King" and I say, "What is the essence of it? What is the abstraction? If I were to reduce this entire story into one image, what would it be?"
Monday, October 20, 2014
work
"There are so many people that use 'following your dreams' as an excuse to not work…. When in reality, following your dreams, successfully, is nothing but work."
~Brandon Stanton
(yep.)
Thursday, October 16, 2014
Tuesday, October 14, 2014
Monday, October 6, 2014
Wednesday, September 17, 2014
Women Playwrights International and University of Cape town, welcomes Food for the Gods
The next Women Playwrights International Conference will be held in Cape Town South Africa, hosted by the University of Cape Town. The theme this year is "Without Words" and Food for the Gods was selected and invited as one of the plays to be presented.
Inspired by the killings of Black men at
the hands of police and other institutions of authority, this work utilizes
mixed-media and mask-puppetry to explore the process of dehumanization,
positive and negative space, invisibility and well…the MAGICAL-less-ness of it
all. A three-part expression of rage, indifference, and celestial
knowings. Food for the Gods is an experiential triptych of
sort, an audience immersive performance installation that takes
place in three unique settings. It juxtaposes harsh reality with
piercing beauty.
"Yes, there are subjects that are
beyond words. While studying this issue of dehumanization in America, without
knowing it, I found myself “beyond words.” There was only raw
emotion. Within Food for the Gods, I attempted to captured
that emotion through images, movement, transformative space, and sound.
The characters do speak, however, this is not a play of dialog. Rather, it is a
sensory experience of visceral expression documented in words. WPIC international will be held June 29th to July 2nd 2015.
Monday, August 18, 2014
meditations
behold the mighty and precious seed…
for within it the ALL is contained…
of aloe plants and octopus arms…
of healing and sensitivity
that with prickles and that with tri-hearts..
of tumors and seeds:
i am deeply concerned for the watermelon--unable to grow and produce the things
that it should...
i am deeply concerned for the human being-- growing and producing that which it should not!
make me please like the mango, the avocado, the cherry and nectarine,
each refusing to give up the core of their being…
make me
please to hold fast to the seed that is me…
Monday, June 23, 2014
Monday, June 9, 2014
Sunday, June 1, 2014
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